how have i never heard of archive.org until today.. it’s an internet library that functions just like a real one, as in you borrow the books for 2 weeks and then they are returned to the archive. you can dl pdfs as well, but you’ll lose access after the 2 week period. it’s all free tho, literally just like a real library. i was searching for a cheap copy of this serial murder book from the 90s for my thesis and i found it for free on here. there’s like.. no gimmick at all? i’m so amazed. i literally just signed up and now i’m reading a super hq scan of this book for free. i love libraries.
The question I get the most is how I write characters that feel like real people.
Generally when I’m designing a human being, I deconstruct them into 7 major categories:
1. Primary Drive 2. Fear: Major and Secondary 3. Physical Desires 4. Style of self expression 5. How they express affection 6. What controls them (what they are weak for) 7. What part of them will change.
1. Primary Drive: This is generally related to the plot. What are their plot related goals? How are they pulling the plot forward? how do they make decisions? What do they think they’re doing and how do they justify doing it.
2. Fear: First, what is their deep fear? Abandonment? being consumed by power? etc. Second: tiny fears. Spiders. someone licking their neck. Small things that bother them. At least 4.
3. Physical desires. How they feel about touch. What is their perceived sexual/romantic orientation. Do their physical desires match up with their psychological desires.
4. Style of self expression: How they talk. Are they shy? Do they like to joke around and if so, how? Are they anxious or confident internally and how do they express that externally. What do words mean to them? More or less than actions? Does their socioeconomic background affect the way they present themselves socially?
5.
How they express affection: Do they express affection through actions or words. Is expressing affection easy for them or not. How quickly do they open up to someone they like. Does their affection match up with their physical desires. how does the way they show their friends that they love them differ from how they show a potential love interest that they love them. is affection something they struggle with?
6. What controls them (what they are weak for): what are they almost entirely helpless against. What is something that influences them regardless of their own moral code. What– if driven to the end of the wire— would they reject sacrificing. What/who would they cut off their own finger for. What would they kill for, if pushed. What makes them want to curl up and never go outside again from pain. What makes them sink to their knees from weakness or relief. What would make them weep tears of joy regardless where they were and who they were in front of.
7. WHAT PART OF THEM WILL CHANGE: people develop over time. At least two of the above six categories will be altered by the storyline–either to an extreme or whittled down to nothing. When a person experiences trauma, their primary fear may change, or how they express affection may change, etc. By the time your book is over, they should have developed. And its important to decide which parts of them will be the ones that slowly get altered so you can work on monitoring it as you write. making it congruent with the plot instead of just a reaction to the plot.
That’s it.
But most of all, you have to treat this like you’re developing a human being. Not a “character” a living breathing person. When you talk, you use their voice. If you want them to say something and it doesn’t seem like (based on the seven characteristics above) that they would say it, what would they say instead?
If they must do something that’s forced by the plot, that they wouldn’t do based on their seven options, they can still do the thing, but how would they feel internally about doing it?
How do their seven characteristics meet/ meld with someone else’s seven and how will they change each other?
Once you can come up with all the answers to all of these questions, you begin to know your character like you’d know one of your friends. When you can place them in any AU and know how they would react.
They start to breathe.
Something else that makes a character pop, for me, is attaching an emotion to them when we first meet them. Are they angry? Tired? Scared?
They become less forgettable, because then we feel what the character is feeling. Especially important for side characters, I think.
The other day at the mall i saw a 15 year old sitting in a Claire’s piercing booth and it took every fiber in my being to not just grab her and take her to the actual, clean and sanitary and not guaranteed to fuck up your ears tattoo shop literally next door. Like I was frantic. Snakes manifested in my house
Piercing guns almost ALWAYS cause infections
They hurt more because they jam dull jewelry into your ear
Needles from a professional are designed to allow for minimum damage thus less pain.
The people working there literally have no idea what the fuck they’re doing and just guess it with a 1 hour training video vs a professional who trained under a mentor for at least a year and has a passion in the craft
They use bad metal for healings (copper, silver, etc) that can irritate ears. Surgical grade steel should be the only thing in your healing piercings
They put them on way to tight, causing swelling issues. Swelling is normal and piercings should be large enough to allow for that
They give you shit aftercare advice and cleaner (literally just buy saline solution at Spencer’s or hot topic for 8 dollars at the most and don’t touch them at all)
If done on cartilage it can LITERALLY SHATTER YOUR EARS
Please if any young girls in your family want their ears pierced take them to actual professional and don’t trust piercing guns. If a professional says your kid is too young (I.e a fucking baby) then trust their professional judgement. It costs more but you are getting essentially a art piece from a highly trained professional who knows what they’re doing vs a part time min wage employee who had 1 hour training on how to pierce ears.
I literally wrote an entire essay in college why piercing guns should be banned with pictures and my professor told me she was so interested in my topic and had no idea and even googled the topic herself out of curiosity and was horrified on the amount of damage they case
I am a licensed piercing professional and this is all sound and accurate advice. Get your piercings done by a licensed professional at a reputable shop. Not at the mall kiosk that uses piercing guns. Not by your friend who ordered a kit off of Amazon.
Association of Professional Piercers Aftercare Guide:
sew-much-to-do: a visual collection of sewing tutorials/patterns, knitting, diy, crafts, recipes, etc.
I needed this!!! With these instructions in hand and my stash of yarns, twines, shells, stones, woods and gems, I am set to make myself a grip of new wearable witch charms.
WHAT FINALLY A SIMPLE EXPLANATION OF GEM NECKLACES THAT AREN’T WIRE-WRAPPING AND DON’T INVOLVE SOLDERING!
A little PSA about ASL for ‘Thank you’! I’ve had all of these signed to me accidentally hahaha. And whenever I sign thank you to non signers, sometimes they thought I was blowing a kiss to them. T_T
Screenwriting tip: If you ever find yourself wondering “Where does my act II begin?” think of National Treasure. Think of Nicholas Cage gazing at the declaration of independence and murmuring “I’m gonna steal the declaration of independence” and then walking off like a dramatic hoe. Now look at your script. Where does your character decide to steal the declaration of independence? That is the start of your act II. You’re welcome.
“Crayola ColorCycle will accept all brands of plastic markers, not just Crayola markers. That includes dry erase markers and highlighters! ColorCycle will eliminate placing hundreds of tons of markers into landfills.”
There do seem to be some limits, however, as far as I can tell, anyone can ship in a box of markers. “Any sturdy cardboard box with minimal outer markings will work. The more markers you ship, the more efficient this program will be. We suggest a minimum of 100 markers and a maximum of up to 40 pounds.”