i’ve never understood people using ‘i love you anyway’ as a way to dispel social anxiety freakouts
like YEAH, i know!
the fact that you love me does not magically erase the fact that i just made a public fool of myself!
i’ve never understood people using ‘i love you anyway’ as a way to dispel social anxiety freakouts
like YEAH, i know!
the fact that you love me does not magically erase the fact that i just made a public fool of myself!
Level 0: Writing your story
Level 10: Daydreaming about writing your story
Level 40: Daydreaming about your finished project and not writing your story
Level 23445342532556: Daydreaming not only about the story but all the fandom and discourse it will spawn. Daydreaming about fanfiction and fanart for your story instead of actually writing your story.
Some Howl Pemdragon sketches based off the books by Diana Wynne Jones. Howl Moving Castle is just such an amazing book (as well as an amazing movie) but in my opinion, Book Howl’s flamboyant and childish personality was so much more interesting than the movie version lol.
I wish I was better at drawing clothes. I like the second better but I didn’t know how to add the famous blue and silver triangles….
There’s a lot of writing advice on the internet, and a lot of writing prompts, but something I see relatively little of is an idea of how to actually practice.
The thing about learning a skill is that it requires practice – but practicing will only get you so far if you’re just doing the same thing over and over. you might get better at doing that specific thing, but it can seem really difficult to get over a specific hurdle to accomplish some new thing you’ve never tried. I think a really common frustration is wanting to do a thing, and knowing what your end goal looks like, but not knowing actually how to accomplish it.
So that’s where practicing specific skills can really help you to feel more comfortable with your abilities.
Here are some skills exercises I recommend experimenting with to gain proficiency and comfort in writing things.
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Write the Same Scene from Multiple POVs
Write a scene in 3rd person POV. Then go back and rewrite it from scratch in 1st person. Repeat for a 3rd person omniscient. Go deeper than just swapping out pronouns. Think: How does this scene change if I’m writing through the eyes of a single character vs over their shoulder? How does this scene change if I’m narrating the events through Character B instead of Character A?
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Write a Scene in Present Tense
Present tense bumps up the immediacy level of whatever you’re writing. I think it also helps to break you from more passive sentence constructions. Try taking a scene you’ve written and rewrite it in present tense. Combine it with the above – try switching a 3rd person past to 1st person present, or even try writing in 2nd person.
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Try Mimicking Another Writer’s Style
Sit down with a piece of writing from an author you enjoy, and pay attention to the writing itself. Ignore the plot and characters and story elements – look at just the nuts and bolts of vocabulary choices and sentence construction. Try to pick it apart. Is there a specific way the author tends to use commas? Certain words, or types of words, that they use more often? Longer sentences or shorter ones? Longer paragraphs or short? How is white space handled?
Study that and make yourself a little cheat sheet if that’s helpful to you. Then try writing a short piece – just a couple paragraphs, even – in their writing style.
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Describe an Entire Scene Without Using Visual Description
Imagine you’re writing a blind character, if it helps, or someone who’s been blindfolded. Describe a whole scene built entirely around the way things sound, smell, taste, feel. Try to make it clear what’s happening through description alone.
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Eliminate All Words like “Thought” or “Felt”
Write in deep-3rd or 1st person without any filter words. Make a character’s opinions and emotions obvious through the way things are being described without explicitly saying what they’re thinking or feeling. If you struggle with this, it might be easier to start in first person – write as a diary entry or even a Tumblr post from that person’s perspective – and then try it in 3rd person after you’ve had a bit of practice.
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Set Yourself a Specific Goal, and Write a Drabble to Achieve it
When I wrote “Happy Ending,” my entire goal was to write something that was highly descriptive in the most viscerally gross way possible. When I wrote “Mothman,” it was an exercise in writing something sexualized without explicitly being sexual, in the most disturbing way possible.
This is an exercise in word choice. It’s an excuse to bust out your thesaurus, not to sound fancy, but to nail a specific meaning. It’s also an exercise in choosing what details to focus on and which to exclude.
One way to approach this exercise is to describe something common and mundane that you’ve experienced, and write it in several different ways. Let’s say, eating a sandwich. How can you make eating a sandwich sound sexy? How can you make it sound disgusting? Which details do you focus on, and which do you omit? What words do you use to evoke the meaning you’re looking for?
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I hope these writing exercises give you some inspiration on things to try out to flex your creative wings a bit!

Reading the Howl’s Moving Castle book and it is wonderful so here’s Howl as I picture him, simultaneously looking cooler and more sinister than he actually is.
and.. I’m just gonna. paste this here.
doyley: “I am posing in the shadows just for u”
pen: sophie are you paying attention
pen: sophie look I am posing for u
doyley: “sophie do I not look broody it is for u”
doyley: “smoulder”
doyley: “sophie look I am smouldering”
pen: sophie I got these huge sleeves specifically for you to notice me in
ive been thinking about that thing where frankenstein is like. college dropout. makes patchwork boys in his lab. angsts a lot. and i just think this has some real potential for a modern version where hes not the main character per-say but you know, frank, who makes construct people in his garage, yeah, he dropped out of his program last year but he keeps saying he’s gonna go back but his terribly beautiful monster boy says that frank is lying to himself. i just think he has a lot of potential as a side character.
actually what i think would be funny is if this was told from the point of frankenstein’s monster (who is in the process of trying out names for himself tyvm, his DUMBASS CREATOR has NEGLECTED to GIVE HIM A NAME, and anyway hes an ADULT and can NAME HIMSELF — right now he’s trying to get people to call him “prometheus” but its really not catching on) who is mostly just exasperatedly annoyed with his sadboy dad/roommate/frenemy and has resorted to tactics such as “pouring a bucket of water on frank’s head to make him get up in the morning” and “befriending all his friends and asking them whats franks deal” and “threatening to call frank’s dad if frank doesnt fuckin get up and pay their rent”
anyway this ends up being a story about how 2 deal with Being A Person in two very different ways. but also it has to do with How Annoying Sadboys Are /jkjk
Hot take but like…. trans people like don’t have to disclose that they are trans if they don’t want to. Trans people can work with you, be friends with you, and yes, even flirt with you, and not have to tell you they are trans. Our existence doesn’t require a full disclosure agreement.
And furthermore, someone not disclosing that they are trans doesn’t mean they are any “less proud” of being trans that someone who doesn’t disclose that they are trans! So quite telling trans people they need to be out everywhere all the time (potential putting themselves in dangerous and uncomfortable situations) or they’re “ashamed” of themselves!!!
even actively lying, and saying we’re cis, doesn’t necessarily mean we’re less proud or ashamed of ourselves. the truth, that we are trans, could make us the target of violence, lose our jobs, and/or render us homeless, even in countries where trans people are a protected class. as long as transphobia exist, cis people have no say in who we come out to. if that means actively lying and saying we’re cis, so be it. it doesn’t matter if we’re lying that we’re cis men or cis women.
we are still not “tricking” you; we are surviving.
i have to write out a character i really like because the fact that she exists messes up the character dynamics/plot and i know logically that the story as a whole will be much stronger without the confusion
but wow do i feel awful about it
update: i’m mildly infuriated by how easily interesting ideas started flowing after deleting the character
like really? have you no loyalty fridge-imagination? at least have the decency to delay the plot bunnies a bit
sometimes i have to look at my life, look at my writing, sigh, and ruthlessly remove 90% of the stuff that reads like a ridiculous h/c fanfic
Make sure the system you use matches the kind of players you have, for an optimal experience
Admin Note: This is part of the ongoing series called “D&D isn’t the only TTRPG if you don’t want fantasy play another goddamn game!”
I already reblogged this once but this is important:
Like I run a D&D blog. I understand that D&D is the most well-known and popular RPG in the world. But a lot of the time I see people going like “Hey I want to run a D&D campaign and throw out all the D&Disms and here’s all the notes I have for running a campaign about courtly romance and chivalry in a historical setting” and I’m just like STOP YOU DON’T NEED TO RUN THIS USING D&D
There’s a sort of a mistaken assumption that because D&D is the biggest game on the market and that it’s fantasy that it should be the go-to fantasy game but look it’s not D&D isn’t a generic fantasy game it’s a very specific kind of fantasy all of its own, one that steals liberally from swords & sorcery and high fantasy and adds fucking extradimensional cube robots for good measure
So next time you’re thinking about a fantasy campaign in a decidedly non-D&Dish setting consider instead of jamming the square peg that is D&D into a round hole trying to find a system that actually supports what you’re trying to do
And this is not to say that you shouldn’t play D&D: D&D is hella fun. But there’s a lot of genres and styles that D&D does a piss-poor job of doing, and because of that it’s so good we’ve got other games
*cracks knuckles*
All right then. I’ve been meaning to dust off my own D&D sideblog for a while, so here we go with providing some examples. I’m limiting this specifically to other types of fantasy outside of the standard high fantasy and sword & sorcery millieu.
Courtly Romance and Chivalry
There are a number of options for this, and they range from standard secondary world fantasy to more historical and mythological settings. My list here shouldn’t be treated as fully extensive.
Blue Rose – based on the romantic fantasy subgenre, specifically as seen in the works of Tamora Pierce and Mercedes Lackey. A lot of courtly drama and intrigue and swashbuckling, based in a fictional world.
Pendragon – naturally based off of Arthurian mythology, and having a lot of stuff given over to the court of Camelot and the chivalric adventures of the various knights. The same company also has a kickstarter for a spin-off called Paladin: Warriors of Charlemagne that might be worth checking out.
Historical Fantasy
This one’s a bit more prominent as historical settings serve as an inspiration for a variety of fantasy worlds and games, and this of course invariably extends to settings that actually use historical settings with a degree of fantasy elements thrown in. Note that I’m going to emphasise Europe here simply due to greater familiarity with games in that millieu, and as a European myself I’m ill-equipped to judge how accurate or respectful games using other settings actually are.
Because of this, feel free to add other examples in reblogs
Chivalry & Sorcery – one of the early tabletop games inspired by D&D, taking a more pseudo-historical approach.
It’s based on 12th century France and strives for a degree of historical accuracy and medieval politics.
World of Darkness, Dark Ages (including Vampire and Mage) – while the World of Darkness has earned some negative attention lately (and for good reason), the dark ages RPGs are still an old favourite of mine. Also worth checking out is Mage: The Sorcerer’s Crusade, set during the Renaissance. The Mage stuff has a really cool open-ended magic system worth checking out.
Ars Magica – this exists along very similar lines to the dark age material above, based around mages and magic-users in a ‘Mythic Europe’ setting. It also has a really cool open-ended magic system, and one of my personal favourites.
Awwww shit heck yes I might want to add to this list but this is a really good starting point
ALWAYS MAKE SURE TO FIND THE SYSTEM FOR YOU
AEG (A Legend of the Five Rings)
COMPLETE TABLETOP RPG ARCHIVE