Backing up your Tumblr blog to WordPress

oathkeeper-of-tarth:

quickguide:

In this tutorial we’ll teach you how to make a copy of your Tumblr blog onto WordPress.com to act as a backup.

The first two steps don’t need to be followed if you already use WordPress.com.

1. Sign up for a WordPress.com account

You need a WordPress.com blog, simply follow the steps to select your username and confirm your account via email.

2. Open WordPress Admin

  • Click on My Site
  • Select the WP Admin you wish to import into

3. Visit the import tools page

In the sidebar menu select ‘tools’ and then ‘import’.

4. Select import from Tumblr

5. Allow Tumblr access

image

Click the ‘Connect to Tumblr to begin’ button. You may need to log into Tumblr if you haven’t already. Be sure to allow access to WordPress.com

6. Start the import!

Once authenticated you can select your Tumblr blog from the list of your blogs and click on ‘Import this blog’.

And you’re done, WordPress.com takes care of the rest and will create a copy of your posts onto your WordPress.com blog.

I see a lot of people sharing this as a backup tip, but it comes with a caveat. Unless you upgrade to a paid plan, there is a 3.0 GB upload limit on WordPress which is very easy to hit, and after which your images and media will not be backed up. The posts they’re in will appear as backed up and your text will be preserved, with the media content simply linked externally back to the original tumblr locations. This of course means if the original posts get deleted, these will be dead links – so not much of a backup. You also cannot upload mp3, m4a, wav, or ogg files without paying.

Another thing to note is that WordPress backs up the tags on your posts, but sorts them alphabetically. So if you, like many people, wrote “tag novels” and similar commentary, that will all be scrambled into nonsense.

wilwheaton:

furiousgoldfish:

Abusers are
generally great at something called “manufacturing insecurity”. It
means, even if you’ve never been insecure about something, abuser will create
an insecurity about it, solely for the purpose of emotionally manipulating you.
Meaning, when you’re not doing, saying, or thinking what they want, they have a
go at your “insecurity”, triggering your pain, fear, guilt, shame,
everything they taught you to feel, as a way to teach you that this pain is
what you’re going to get if you fail to obey them.

It’s not exactly
hard to manufacture an insecurity (provided you are cruel and vicious), all you have to do is take a social norm and
convince a person they aren’t good enough in one or all departments. You
convince a person they’re too loud, too fat, too ugly, slow, naive, gullible, stupid, lazy,
selfish, sexual, provocative, demanding, and that this is the reason why they
will always fail, it’s a reason why they keep getting hurt, it’s a reason why
nobody will ever love or care for them. It’s utterly cruel, and an absolute
lie. Deviating from the “norm” in any way is not a reason of any of
those things, if you’re getting hurt it’s because people are hurting you, if
you’re unloved it’s because people around you refuse to show affection and
care. These things cannot be the individual’s fault, it’s always the
environment setting person up for pain. And abusers already know this. But they
make a step to convince a victim it’s all their fault, everything others do to
them, their fault. And even worse, that they deserved being hurt.

This kind of
nonsense blaming everything on unrelated trait of individual can lead to a
person getting terrified they could have somehow caused horrible things just by
being themselves, that it’s impossible to even predict what might happen to
them just because they’re “this way” or another. It creates an
atmosphere of panic and confusion, and they find themselves seeing no way
forward but to accept guidance from abuser. Abuser then pretends to know what
victim is to do in order to avoid pain and failure – of course, only up to the
point when abuser decides to inflict pain on purpose, to control and
manipulate.

You’re not stupid
if you fall for this kind of trap, it’s designed to work on people who are
self-aware, who work on getting themselves better, who are trying their
hardest. You don’t even have to lack confidence, abusers will take a confident
person and eat their confidence away. And once caught in this situation, it
might be hard to believe that someone would stoop that that kind of cruelty and
lie to you while knowing perfectly well that you are good, that there’s no
reason on earth to criticize your traits, that you have nothing to be ashamed
of. That you haven’t deserved any of it.

if you’re getting hurt it’s because people are hurting you, if you’re unloved it’s because people around you refuse to show affection and care. These things cannot be the individual’s fault, it’s always the environment setting person up for pain. And abusers already know this. But they make a step to convince a victim it’s all their fault, everything others do to them, their fault. And even worse, that they deserved being hurt.”

inkskinned:

pro tip: when you fall a little behind in a conversation bc you don’t understand a word/they’re talking too fast/there’s a concept that you’re missing – “can you talk about that a little more?” will work… magic…… 

  1.  u sound smart 
  2. if you’ve used up all your “sorry, what?” times this has ppl repeat themselves in different words but they feel good about it
  3. often when asked to speak more about a topic ppl explain it more clearly 
  4. if you don’t know the word they used but everyone at the table seems to (they don’t), having them talk more about it can help u figure out what that word means 
  5. it will also give u more context to figure out if a word/topic/concept was just dropped for Style Points (ie to be Fancie) or if it’s something u actually need to google later
  6. EVERY time i have done this in a group conversation, at least one person has said “actually yeah i don’t really know what you’re talking about” so ur probably helping friends
  7. ppl really love talking about stuff & you’re basically telling them “i’m super into listening to you talk”

~Shakespearean Audio: The Masterpost~

rootingformephistopheles:

rootingformephistopheles:

After a bunch of people liked my St. Crispin’s Masterpost, I thought it would be good to collect all my stuff in one place so you can find it more easily and, well, so I don’t forget what I’ve posted!

PLEASE PLEASE PLEASE tell me if there are any broken/wrong links or missing posts. I will try to get this as up to date as I can before adding any new clips so please bear with me as that may take some time. All new posts will have a link back to here so it will now be easier to compare versions!

–Comedies and Romances—

As You Like It:

“All the world’s a stage”

Alan Rickman

The Comedy of Errors:

“I to the world am like a drop of water/ That in the ocean seeks another drop.”

David Tennant and Alan Cox

Cymbeline:

“The crickets sing, and man’s o’er-labour’d sense repairs itself by rest.”

Anton Lesser and Emma Fielding

The Merchant of Venice:

“Well, tell me now, what lady is the same to whom you swore a secret pilgrimage that you today promised to tell me of?”

Anthony Nicholls and Jeremy Brett

“The quality of mercy is not strain’d”

Ralph Fiennes, Emma Fielding, Haydn Gwynne, Gemma Jones, Lynn Collins, Maggie Smith, Claire Bloom, Joan Plowright, Juliet Aubrey, Natalie Thomas Ellen Terry

A Midsummer Night’s Dream:

“It shall be call’d ‘Bottom’s Dream,’ because it hath no bottom.” 

Brian Glover, James Cagney, Roger Allam, Kevin Kline, Sam Bensusen, Desmond Barrit, Paul Rogers

Much Ado About Nothing:

“Love me? Why, it must be requited!”

David Tennant, Samuel West, Sam Waterston, Richard Monette, Kenneth Branagh, David Tennant (BBCRadio), Charles Edwards

“Lady Beatrice, have you wept all this while?”

Sam Waterston and Kathleen Widdoes, Kenneth Branagh and Emma Thompson, David Tennant and Catherine Tate, Samuel West and Saskia Reeves, David Tennant and Samantha Spiro, Ben Crystal and Rebecca Pownall, Charles Edwards and Eve Best

The Taming of the Shrew:

“Good Morrow Kate, for that’s your name I hear.”

Richard Burton and Elizabeth Taylor, John Cleese and Sarah Badel, Marc Singer and Fredi Olster, Colm Feore and Goldie Semple, Roger Allam and Frances Barber Bob Peck and Cheryl Campbell

The Tempest:

“Where should this music be? I’ th’ air, or th’ earth?”

Ian McKellen, Scott Handy, and Benedict Cumberbatch

“Be not afeard, the isle is full of noises”

Richard McCabe, Miles Potter, Djimon Hounsou, Kenneth Branagh at the Olympics

“Now does my project gather to a head”

Derek Jacobi and Mark Rylance

Twelfth Night:

“‘Tis but fortune; all is fortune.”

David Tennant

–Histories—

King John:

“Mad world! mad kings! mad composition!”

Alan Cumming

Richard II:

“Alack, why am I sent for to a king, before I have shook off the regal thoughts wherewith I reign’d?”

Samuel West and Damian Lewis, Rupert Graves and John Nettleton, Richard Pasco and Ian Richardson

“I have been studying how I may compare/ This prison where I live unto the world.” 

Ben Crystal, David Birney, Mark Rylance, Ben Whishaw, Derek Jacobi, Rupert Graves, Samuel West

Henry IV part I:

“How now Kate? I must leave you within these two hours.”

Tim Pigott-Smith and Michele Dotrice, Alan Cox and Jane Slavin, Joe Armstrong and Michelle Dockery, Sam Crane and Lorna Stuart, Sean Connery and Patricia Heneghan

“A plague of all cowards, I say, and a vengeance too.”

Jamie Parker and Roger Allam

“Do thou stand for my father, and examine me upon the particulars of my life.”

Jamie Glover and Richard Griffiths, Robert Hardy and Frank Pettingell, David Gwillim and Anthony Quayle, Tom Hiddleston and Simon Russell Beale, Keith Baxter and Orson Welles, Ian Holm and Hugh Griffith, Jamie Parker and Roger Allam

Henry V:

“Once more unto the breach!”

Robert Hardy, Simon Russell Beale, Samuel West, Jamie Glover, Laurence Olivier, Kenneth Branagh, David Gwillim, Tom Hiddleston, Benjamin O’Mahony, Lewis Waller, Frank Benson

“O God of Battles”

Tom Hiddleston

“This day is called the feast of St. Crispin”

Simon Russell Beale, Samuel West, Robert Hardy, Laurence Olivier, Jamie Glover, David Gwillim, Tom Hiddleston, Kenneth BranaghMark Rylance

“I was not angry since I came to France”

Tom Hiddleston

“Fair Katherine, and most fair, will you vouchsafe to teach a soldier terms such as will enter at a lady’s ear and plead his love-suit to her gentle heart?” 

Geoffrey Streatfeild and Alexia Healy, Jamie Glover and Saira Todd, Robert Hardy and Judi Dench, David Gwillim and Jocelyne Boisseau, Kenneth Branagh and Emma Thompson, Laurence Olivier and Renee Asherton, Samuel West and Cathy Sara

Henry VI part III:

“This battle fares like to the morning’s war.”

David Tennant

Act 5, scene 6

David Tennant and David Troughton

Richard III:

“Now is the winter of our discontent made glorious summer by this son of York.” 

Kenneth Branagh

“Stay, you that bear the corpse and set it down.”

Antony Sher and Penny Downie

“Despair and Die!”

Naxos Audiobook Cast

“I love myself. Wherefore? For any good/ that I myself have done unto myself?” 

Kenneth Branagh, David Troughton, Ron Cook, Paul Daneman, Ian McKellen, Ian Holm

–Tragedies—

Hamlet:

“Where wilt thou lead me? Speak: I’ll go no further”

Kenneth Branagh and John Gielgud, Anton Lesser and Geoffrey Whitehead

“I have of late — but wherefore I know not — lost all my mirth.”

Anton Lesser, Richard Burton, Simon Russell Beale, John Gielgud, Campbell Scott, David Tennant, Derek Jacobi, Adam Long, Kenneth Branagh, Ben Crystal

“O rose of May, dear maid, kind sister, sweet Ophelia…”

Ellen Terry, Imogen Stubbs and Damien Lewis, Emma Fielding and Jamie Glover, Celia Johnson and Hugh Burden,  

Julius Caesar:

“Brutus, I do observe you now of late. I have not from your eyes that gentleness and show of love that I was wont to have.”

Paterson Joseph and Cyril Nri, John Bowe and Geoffrey Whitehead, Paul Rhys and Pip Carter, Jason Robards and Richard Johnson, James Mason and John Gielgud, John Wood and Patrick Stewart Nicholas Farrell and Colin McFarlane Edward Hardwicke and Ian Hogg

King Lear:

“Thou, nature, art my goddess; to thy law/ My services are bound.”

Kenneth Branagh

“Howl, howl, howl, howl! O, you are men of stones.”

Michael Hordern, Paul Scofield, Laurence Olivier, Ian McKellen (Film), Ian McKellen (Live), Trevor Peacock

Macbeth:

“Here’s a knocking indeed!”

David Tennant

“Tomorrow, and tomorrow and tomorrow”

David Morrissey, Antony Sher, James Marsters, Orson Welles, Hugh Ross, Sam Worthington, Patrick Stewart, Nicol Williamson, Ian McKellen, Alan Cumming, Ken Stott, Sean Pertwee, Jon Finch, Simon Russell Beale

Othello:

“Most potent, grave, and reverend signors”

Adrian Lester

“Thus do I ever make my fool my purse”

Rory Kinnear and Tom Robertson

“Thanks! you the valiant of this warlike isle that so approve the moor.”

Tom Hiddleston and Kelly Reilly

“Reputation, reputation, reputation!”

Tom Hiddleston and Ewan McGregor

“O Beware, my lord, of jealousy: it is the green-eyed monster which doth mock the meat it feeds on.”

Eamonn Walker, Tim McInnerny, and Zoe Tapper, Hugh Quarshie, Anton Lesser, and Emma Fielding, John Kani, Richard Haines, and Joanna Weinberg, Chiwetel Ejiofor, Ewan McGregor, and Kelly Reilly

“Witness that here Iago doth give up/ The execution of his wit, hands, heart/ to wrong’d Othello’s service!”

Willard White and Ian McKellen, Lenny Henry and Conrad Nelson, Hugh Quarshie and Anton Lesser, Don Warrington and David Threlfall, Eamonn Walker and Tim McInnerny, Anthony Hopkins and Bob Hoskins, Laurence Fishburne and Kenneth Branagh, John Kani and Richard Haines, Laurence Olivier and Frank Finlay, Chiwetel Ejiofor and Ewan McGregor

“Now will I question Cassio of Bianca” 

Ewan McGregor, Tom Hiddleston, and Chiwetel Ejiofor

“My mother had a maid call’d Barbary.”

Irene Jacob and Anna Patrick, Anne-Marie Duff and Suzanne Bertish, Imogen Stubbs and Zoe Wanamaker, Jessica Harris and Sara Poyzer, Penelope Wilton and Rosemary Leach, Maggie Smith and Joyce Redman, Kelly Reilly and Michelle Fairley, Natalie Thomas and Joan Walker

Bonus!

The Cassio Rap from Othello: The Remix

Reputation: The Branneston Edit

Romeo and Juliet:

“O then I see Queen Mab hath been with you.”

Anton Lesser, Derek Jacobi, John McEnery, Colm Feore, Philip Cumbus, Anthony Andrews, John Barrymore, David Tennant

“But soft! What light through yonder window breaks?”

Ian McKellen and Francesca Annis, Kenneth Branagh and Samantha Bond 

Titus Andronicus:

“Come, come Lavinia. Look, thy foes are bound”

David Troughton

–Sonnets—

116 – Juliet Stevenson

my mini repository of shakespearean audio clips is gonna go away if my tumblr goes bye bye so enjoy this shit while you can

teabeakay:

cipheramnesia:

jenroses:

Have I told y’all about my husband’s Fork Theory? 

If I did already, pretend I didn’t, I’m an old.

So the Spoon Theory is a fundamental metaphor used often in the chronic pain/chronic illness communities to explain to non-spoonies why life is harder for them. It’s super useful and we use that all the time.

But it has a corollary. 

You know the phrase, “Stick a fork in me, I’m done,” right?

Well, Fork Theory is that one has a Fork Limit, that is, you can probably cope okay with one fork stuck in you, maybe two or three, but at some point you will lose your shit if one more fork happens. 

A fork could range from being hungry or having to pee to getting a new bill or a new diagnosis of illness. There are lots of different sizes of forks, and volume vs. quantity means that the fork limit is not absolute. I might be able to deal with 20 tiny little escargot fork annoyances, such as a hangnail or slightly suboptimal pants, but not even one “you poked my trigger on purpose because you think it’s fun to see me melt down” pitchfork.

This is super relevant for neurodivergent folk. Like, you might be able to deal with your feet being cold or a tag, but not both. Hubby describes the situation as “It may seem weird that I just get up and leave the conversation to go to the bathroom, but you just dumped a new financial burden on me and I already had to pee, and going to the bathroom is the fork I can get rid of the fastest.”

I like this and also I like the low key point that you may be able to cope with bigger forks by finding little ones you can remove quickly. A combination of time, focus, and reduction to small stressors that can allow you to focus on the larger stressor in a constructive way.

Ohhh thisssssss

petermorwood:

justhere4coffee:

lilithenaltum:

gaslightgallows:

scifrey:

scifrey:

simonalkenmayer:

scifrey:

simonalkenmayer:

scifrey:

gaslightgallows:

not-rude-ginger:

lightrises:

jebiwonkenobi:

Once upon a time I worked in this little burger/coffee/ice cream shop and a lady came in one winter and asked if we had a caramel apple drink and we were like ‘well we have cider’ and she was like ‘no I don’t remember what it’s called but this place made a drink that was chai tea, apple cider, and caramel’ and Breezy offered to try and make something for her but she changed her mind and left so Breezy and I were like ‘alright let’s try this’ because we had chai tea, instant cider mix, a shit ton of caramel, instant hot water from the espresso and too much free time. 

And let me tell you it was delightful. It tastes like watching the leaves changing color and dancing in the wind. It tastes like picking out pumpkins and gourds and fresh apples at the farm up north. It tastes like witches and freedom.

I make it every year now and this year I walked in the house on the morning of October first with all the ingredients and shouted ‘FALL DRINK’ and my roommates were like ‘????’ so I made them Fall Drink and now every time they get home from work they’re like ‘Fall Drink pls?????’

Anyway I remember literally nothing else about that woman but I’m very grateful to her. 

for anyone wondering about proportions/etc here’s op’s answer from the repiles:

@gaslightgallows I feel this would be relevant to your interests. 

I don’t like caramel but I can vouch for hot chaider being amazing.

Deareat @simonalkenmayer I feel like this is relevant to your interests.

Also, I do something like this in the crock pot with the overly sweet Growers Pumpkin Apple Cider, chai spices, cloves, a bit of orange juice, and some super dry Pinot Grigio.

Mix, heat, and serve on a nippy night best spent cuddled under blankets with a book.

My friend, you have essentially backward engineered a wonderful winter drink from the Stuart period.

White sack wine, cider, spices (clove, cinnamon, nutmeg, mace, ginger) tea, sugar, and if you want it authentic, a bit of cream or whipped egg. All this is brought together in a low temperature and then stewed for a time. It can also be “pulled”, a process in which one “stirs” the concoction by using a ladle and pouring it repeatedly from high in the air. Makes it foamy and frothy. 

Serve warm.

On a cold night, this is a delightful thing. Believe it or not, we also used to make it with a stout beer instead of wine. For a darker richer flavor.

Well now I need to try the Stuart version, too.

I can also give you older versions, if you like. Or you can google “posset”.

Posset! That’s why is it sounded familliar!

I do have a recipie I quite like.

Atlas Obscura featured another similar hot drink today on their food blog. Find it here.

Not sure if instant tea and Tang are my bag, but then I know my nostalgic regional cuisine isn’t for everyone as well.

I need both this drink in my mouth and this book on my shelf.

I’m about to try this at work. We have most of the stuff to do the easy recipe.

Not sure how much I’d enjoy the taste, but imaging the smell is fantastic. @petermorwood?

 I’ve never tried posset, but from the sound of it Posset is to sherry what Bailie’s is to whiskey, if Bailie’s was a sort of alcoholic custard…

Madge Lorwin’s book “Dining with Shakespeare” describes posset as “a form of warm eggnog, thick enough to be eaten not drunk”.

Something the recipe in the image post doesn’t specify is the kind of sherry – I’d think sweet or cream sherry would work better than a dry one like fino.